Setting out to learn how to play an instrument is one of the best things an individual can do. This way, anyone can get an additional voice and find ways to express themselves through music. And the best thing these days is that you can choose almost any instrument that you like. But among the many out there, one of the most popular picks is the piano.

There are certain advantages that this instrument provides. First off, it’s intuitive and it’s pretty easy to figure out since everything is laid out in front of you. Second, there are plenty of keyboard-based instruments, including MIDI controllers that you’ll be able to use when you learn how to play the piano. And, finally, it presents a solid foundation if you want to play any other instrument later on in life.

However, in order to learn how to play the piano, you’ll need good literature. With this in mind, we’ve decided to cover some of the best piano books for beginners.

Piano for Dummies

We’ll start things off with one of the books from the classic “For Dummies” series. Among countless things these books covered, there’s also one about learning piano, simply titled “Piano for Dummies.” It is intended for a wide scope of different music enthusiasts. However, it may not be the best option for the youngest ones.

Nonetheless, the book provides very detailed information about the instrument, music theory, and technique. It also has a bunch of great exercises for entry-level players of any age. Basically, with this book, you’ll be able to go from a complete piano ignoramus to a beginner who’s capable of reading and playing entry-level songs and exercises. It’s more than enough to prepare you for further levels of playing and it will give you all the essential basic knowledge you need.

Alfred’s Basic Adult Piano Course: Lesson Book, Level One

There’s a common misconception about learning music as an adult. The thing is, many people think that it’s impossible to learn how to play an instrument after you pass a certain age. This is why many potential adult music lovers are often discouraged to start learning. But even though it’s definitely difficult to learn how to play an instrument as an adult, it’s most certainly far from an impossible task.

If you’re one of those people who are already in their 20s, 30s or 40s, a book like “Alfred’s Basic Adult Piano Course” can be a good choice to consider. Of course, it’s intended to work best with the assistance of a teacher or any other experienced pianist who can help you. However, it’s still a very useful resource for anyone from the targeted audience.

Lesson Book: Piano Adventures

“Lesson Book: Piano Adventures,” on the other hand, is for almost any age. The biggest advantage of this book, written and compiled by Nancy Faber, is its accessibility and straightforward approach. This way, even a complete beginner will be able to understand some of the much-needed fundamentals of piano playing.

For instance, you can find lessons on how to read notes, how to build chords on the piano, and even some essential info about scales. Of course, there’s also stuff about different fingering positions, techniques, as well as the implementation of these things in practice.

Overall, this is one of the favorite books among piano teachers working with younger students. It’s fun, it’s a very useful pedagogical tool, and – above all – it’s really fun to use. It’s one of the first books you’ll want to consider when finding the best one for your needs.

Piano Book for Adult Beginners

Another one designed for those who plan on learning piano later in life, “Piano Book for Adult Beginners” is a great resource for this particular age group. But compared to the previous example that we mentioned, the author Damon Ferrante focuses on music theory and its application in practice, no matter the genre that you’re interested in. And what’s really important to note here is that this is not just a regular book. There are also 20 online streaming video lessons that you get with it. Meanwhile, the book provides you with all the necessary exercises and sheet music for some famous musical pieces.

But the most important thing about this book is that it’s very systematized and layered, making it very useful for beginners. All you need to do is cover all of the lessons and make sure you fully understood the info before moving forward.

John Thompson’s Easiest Piano Course Part 1

For all those interested in buying their kid some of the best piano books for beginners, “John Thompson’s Easiest Piano Course Part 1” comes as a great addition to this list. Available both as a paperback and in Kindle format, this is a very comprehensive resource intended for the youngest generations. The book is filled with a few cheerful and colorful characters, an approach that can be pretty useful for kids who are trying to understand and memorize new concepts.

Aside from the very detailed and systematized step-by-step exercises, there are also sight-reading drills and different worksheets and assignments. With the help of a teacher or a parent, the child will be able to understand the basics and build the fundamental skills that are much-needed for any further musical development.

Big Book of Beginner’s Piano Classics

In case you’re a beginner who’s already familiar with some of the basics, or know such a novice pianist that needs some adequate resources, then “Big Book of Beginner’s Piano Classics” comes as a very useful tool. In fact, it’s more of a collection of famous piano classics rather than a regular book.

However, the important thing to note is that all 83 of these pieces are arranged and adapted for beginners. They’re also organized in such an order that will help any beginner pianist excel, with each piece being slightly more difficult than the previous one. The book also comes with downloadable MP3 files of some of its examples. Overall, this one can work well with the help of a teacher or any other experienced pianist. Yes, these arrangements are easy to follow, but you’ll need some help if you’re a complete beginner.

Piano Lesson Book: Complete Level 1, for the Later Beginner

Similar to the one described above, “Piano Lesson Book” by Willard A. Palmer, Morton Manus, and Amanda Vick Lethco is also intended for beginners who have mastered some of the basics. As the rest of the title explains, it’s for later beginners. Essentially, the book features a somewhat faster learning program, going through levels 1A and 1B at the same time.

This book was written for children aged 8 and up, or even younger pianists who show more interest and talent early on. With this said, it’s recommended that this book is used with the assistance of an experienced teacher. The thing is, a parent who’s not that familiar with some basic principles might not be the perfect guide in this case. Still, it’s a great resource for anyone remotely serious about becoming a professional pianist one day.

Piano for the Young Beginner: Primer A

We would also like to include “Piano for the Young Beginner: Primer A” on this list, since it provides very detailed methods and exercises for the youngest students, somewhere around the age of 5 and 6. Written by experienced tutors James Bastien and Jane Smisor Bastien, it combines some popular, traditional, and seasonal songs, all of which are adapted for beginners of young ages. It’s also filled with many colorful visual aids that make it easier for the student to memorize things. It’s just what the 5 or 6-year-old students and their teachers need in order to have successful lessons.

How To Play Keyboard: A Complete Guide for Absolute Beginners

Here we have something universal for all ages. However, what makes this particular book special is that it incorporates any form of electronic keyboards as well, not just the acoustic or electric piano. As described, you really don’t need any previous musical experience for using this book. All of the lessons and explanations are pretty clear and straightforward.

The main intention of this book is to have a laid-back approach. It’s a fun and brief resource for learning basic concepts and some exciting playing techniques and tricks. With the hands-on approach in this book written by Ben Parker, you’ll be able to implement any of these concepts in practice.

While it’s not a completely “serious” book or something that a future professional pianist would rely on, it’s still pretty fun and engaging.

‘Easiest’ Beginner Piano Method: Gordon Banks Method

While saying that it’s the “easiest” method is somewhat of a joke in the title, this is still one fairly accessible book intended for older kids, teenagers, or adults. There’s a very simple approach here, and that’s to start learning the piano by using your 10 fingers on 10 keys only. After all, when you look at the piano, it has the same pattern of black and white keys that repeats from the lowest to the highest notes.

In addition, all of the exercises and songs are written in five keys only – C, D, E, F, and G. It’s all about coordinating your left and right hand – one of the main issues for beginners – and building some technical and theoretical foundations for further advancement.

How to Use Piano Books Effectively as a Beginner

Learning with a Parent or a Tutor

You might have noticed that a certain number of these books is recommended to be used with the help of a professional and experienced tutor. While we also tried to include other stuff, like some very intuitive and straightforward books that kids below the age of 10 can use with their parents, even if they’re not that familiar with the piano.

However, if you want better results and if you want your child to keep being persistent while working on their skills, it’s recommended that you hire a piano teacher. The instrument is really accessible for beginners and is not as complicated in these stages as compared to the violin or the guitar.

If you’re an adult music enthusiast who’s looking to learn how to play piano, it’s somewhat easier to go through these books on your own. Yes, hiring a teacher and using some of these books as a reference and practicing tool is definitely a better option. But still, some of the books we mentioned are intended for those looking to learn to play the piano on their own.

Use More Than One Book

No matter the age, you should always be open to using more than just one book. This is the best and safest way for you to get the full picture. No matter how great one book might be, there are always some details that other books might have covered better.

Learn with Online Resources

Today, we live in a time where many resources are available for free, and you can use them in combination with any of these books. Just like with using more books, it’s always recommended that you use anything that’s at your disposal. And is there anything better than finding experienced pianists showing concrete examples on YouTube?

Conclusion

At the end of the day, the choice is up to you. Whether you’re somewhat familiar with the piano, or are a complete ignoramus, there’s always a good book that you can find. But before you go into it, you need to ask yourself what you really want to achieve. For instance, a book like “How To Play Keyboard: A Complete Guide for Absolute Beginners” is a great choice for anyone who just wants to have fun with a piano or any type of a keyboard instrument. A similar thing could be said about “Piano for Dummies“.

However, if you, or anyone you’re buying this book for, are more serious about becoming great pianists or keyboardists, then “John Thompson’s Easiest Piano Course Part 1” comes as a good choice. Another great example would be “Piano Lesson Book: Complete Level 1, for the Later Beginner” or “Piano Lesson Book” by Palmer, Manus, and Lethco.

But there’s one very important thing you need to bear in mind – it’s not just about the books, it’s about being persistent and patient with your learning. There’s no book or a method that will teach you how to play any instrument if you’re not motivated enough to keep learning and practicing new things.

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The history of violin playing is populated with overachievers, savants, and genius. While undoubtedly there are many great violin players who we will, sadly, never get to hear, below are some of the players we know have had a huge impact on the instrument.

Nicolo Paganini

Born: October 27, 1782
Died: May 27, 1840

Nicolo Paganini has been cited many times a benchmark in violin technique. Born in 1782 in Genoa, Nicolo first learned the mandolin from his father, before moving on to the violin at age 7. His talents were soon discovered by his tutors, and it is said that he very quickly surpassed them.

Though he had played for Napoleon’s sister, he was not very well known until his debut at La Scala in 1813. He would be honored by Pope Leo XII, and these days is revered for having established the violin as a solo instrument.

Nicolo Paganini: Opere Per Chitarra Sola by Eros Roselli

Joseph Joachim

Born: June 28, 1831
Died: August 15, 1907

Joseph Joachim was for in 1831, in what was then part of the Kingdom of Hungary. After his family moved to Budapest, he began studying violin at age five with Stanislaw Serwaczynski, who was believed at the time to be the best violinist in the region. After showing a great deal of promise, he was accepted to the Vienna Conservatory and was taught by Joseph Bohm.

At only twelve years of age, he would debut in London at the Philharmonic Society, under the conductorship of Felix Mendelssohn. He would also eventually be paid a good wage by King Georg of Hanover in return for playing and conducting at state concerts. He would die in 1907.

Symphonies CDs by Joseph Joachim

Pablo de Sarasate

Born: March 10, 1844
Died: August 15, 1907

The son of an Artillery bandmaster, Pablo de Sarasota was always destined to be a revered violin player. The legend goes that the very first time he picked up his father dusty violin he was able to play a passage of music perfectly. After a series of lessons, he would eventually be admitted to the royal court in Madrid as he developed as a musician. At age twelve, he would be sent to study in the Paris Conservatoire.

He became a favorite of Europe’s late nineteenth century composers, gaining favor with Bizet, Saint-Saens and even music critic and playwright George Bernard Shaw. After his death, works by Saint-Saens, Lalo and Bruch were dedicated to him.

Zigeunerweisen (rec. 1904) by Pablo de Sarasate

Eugène Ysaÿe

Born: July 16, 1858
Died: May 12, 1931

Belgian violinist Eugene Ysaye is regarded as something of a legendary and enigmatic figure. It was said that the violin he played had supernatural origins and had been passed down through generations of his family. Whatever the truth of the story, there’s little doubt that he continues to command great interest and admiration, his compositions played to this day.

He was among the first to play for the Berlin Philharmonic before it was even known as such. Though his playing was legendary, a lot of modern violin playing is owed to his developed technique in teaching. As he grew older, he was known as an important teacher and conductor and, after turning down the New York Philharmonic, became the music director of the Cincinnati Symphony Orchestra in 1922.

6 Sonatas for Solo Violin by Eugène Ysaÿe and Oscar Shumsky

Fritz Kreisler

Born: February 2, 1875
Died: January 29, 1962

Austrian born Fritz Kreisler is known as one of the most expressive and unique violinists of all time. He studied in the Vienna Conservatory under composer Anton Bruckner and was also tutored in Paris by Delibes and Massart.

Disheartened by the refusal of the Vienna Philharmonic to admit him, he took a brief break from performing. However, by 1910 he had regained his position and performed the premiere of Elgar’s Violin Concerto. His last public performance was in 1947. As well as a virtuoso player, he was known also as a composer of operettas and even film soundtracks such as one for the 1936 movie The King Steps Out.

Itzhak Perlman plays Fritz Kreisler CD

Jascha Heifetz

Born: February 2, 1901
Died: December 10, 1987

Born in Lithuania in 1901, Jewish-American violinist Jascha Heifetz traveled to the States in his teens. Having learned violin since the tender age of two, he had already played in much of Europe and Russia, eventually settling in San Francisco in 1917. Soon after, he made his debut at Carnegie Hall. He caused a stir amongst his contemporaries, with even Fritz Kreisler remarking that “We might as well take our fiddles and break them across our knees.”

Sadly, in his later years, his physical ailments forced him to curtail his performances and he focused on teaching and social causes instead.

The Magic of Jascha Heifetz

David Oistrakh

Born: September 30, 1908
Died: October 24, 1974

Born in 1908 in Ukraine, David Oistrakh was internationally revered for his extraordinary technique and tone. He began to play at age five and studied at the well-regarded Odessa Conservatory.

In the early days of the Soviet Union, he gave recitals throughout the state, including Eastern Europe. He would eventually teach violin himself and win the esteemed Eugene Ysaye prize. In the fifties, he would be one of the few Soviet players to be allowed to tour both the UK and the US. Posthumously, an asteroid, the 42516 Ostraich would be named in his honor.

The Very Best of David Oistrakh

Stephane Grappelli

Born: January 26, 1908
Died: December 1, 1997

A pioneer of jazz violin, Stephane Grappelli was born in Paris, 1908. At only 5 years old his mother died, and with the outbreak of the First World War, he was fostered by acclaimed American dancer, Isadora Duncan. It was with her that he began to enjoy French Impressionist music.

His subsequent years at an orphanage were spend in extreme poverty. He would, however eventually become well known as an important collaborator with Django Reinhardt. By the 1960s he became a much sought after session player and played with musicians as diverse as Pink Floyd, Paul Simon, and Yehudi Menuhin.

Vintage Grappelli by Stephane Grappelli

Yehudi Menuhin

Born: April 22, 1916
Died: March 12, 1999

Born in 1916 to a Lithuanian Jewish family in New York, Yehudi Menuhin became one of the most exciting players of the 20th century. He spent his teenage years playing in Germany, even as the Nazi party began to rise. Before even his 20th birthday he had garnered a reputation as a master of the instrument.

In 1945 he accompanied the composer Benjamin Britten to a number of concentration camps to perform for Holocaust survivors. He also branched out from classical music and collaborated with the jazz violinist Stephane Grappelli.

The Great Violin Concertos by Yehudi Menuhin

See also: 6 Violinists Who Started Late and Achieved Success

Papa John Creach

Born: May 28, 1917
Died: February 22, 1994

The story of Papa John Creach is an unusual one for violin players. Born in Pennsylvania in 1917, he began playing violin in Chicago bars when he was 18. As a busker, he had to pick up many different styles, including classical. He was an early advocate of the electric violin in 1943.

Preach played with some of the jazz and blues greats, including Louis Armstrong, T-Bone Walker and, Nat King Cole. He would become a well-known figure in the 1960s and would join psychedelic band Jefferson Airplane, later Starship.

Papa Blues by Papa John Creach

Itzhak Perlman

Born: August 31, 1945

Born in Tel Aviv in 1945, Itzhak Perlman has overcome great odds to become one of the best-loved and recognized violin players in the world. In his earliest years, he taught himself violin, despite having been left disabled by Polio.

He was catapulted to stardom in 1958 having appeared on The Ed Sullivan Show and has ever since been a prominent figure. He has received countless accolades, including the Presidential Medal of Freedom in 2016.

Itzhak Perlman’s Greatest Hits

Nigel Kennedy

Born: December 28, 1956

From the illustrious musical family, Nigel Kennedy is one of the most well regarded and diverse violin players in the world. Known for ditching a traditional classical image, he nonetheless, was accepted into the Yehudi Menuhin School of music at 7, and later the world-famous Juilliard School in York.

At only 16, he appeared with the famous jazz violinist Stephane Grappelli at Carnegie Hall. His recording alongside the English Chamber Orchestra of The Four Seasons stayed at the top of the UK classical charts for over a year. He is best known, though, for his diverse pop recordings and experimental music.

Riders On The Storm – The Doors Concerto

Anne-Sophie Mutter

Born: June 29, 1963

A frequent soloist for the esteemed Berlin Philharmonic, Anne-Sophie Mutter was introduced to music when she began playing piano at 5. After graduating to violin, she was very quickly established as a virtuoso and played her first concert with the Berlin Philharmonic at just 13 years old.

She has been a much sought after musician and played under Daniel Barenboim with the English Chamber Orchestra in 1977. As an honorary member of the Royal Academy of Music, she has been head of its international violin studies. She has countless awards and continues to collaborate with her ex-husband, pianist Andre Previn.

Tchaikovsky: Violin Concerto by Anne-Sophie Mutter

Joshua Bell

Born: December 9, 1967

A native of Indiana, Joshua Bell started playing violin at just 4 years old. By the age of 14 he had landed a coveted appearance as soloist with the Philadelphia Orchestra. He would make his debut at Carnegie Hall at only 17 and has since toured the world with some of the most important orchestras in the world.

He is a well respected musical academic as well as a constant contributor to film soundtracks, such as The Red Violin. In 2007 he made headlines for playing incognito as a busker in a Washington Subway Station.

Voice of the Violin by Joshua Bell

Midori Gotō

Born: October 25, 1971

Japanese born American violinist Midori is one of the most celebrated violinists of modern times. A big inspiration in her playing was her mother, Setsu Goto, who was also a professional violinist. Under her tutelage, Midori began learning violin at the age of three and would give her first public performance at the age of six, playing one of Paganini’s 24 Caprices.

At age eleven she would make her debut with the New York Philharmonic. She continues to teach and play across the world, earning doctorates and teaching positions in many of the top universities.

Bruch & Mendelssohn Violin Concertos by Midori Gotō

Hilary Hahn

Born: November 27, 1979

Hilary Hahn is one of the most exciting players in the field today. She began playing at only 3 years old and made her international debut at 16 with the Budapest Festival Orchestra. A year later, in 1996, she would make her first appearance at Carnegie Hall as a soloist with the Philadelphia Orchestra.

In addition to having played with the major orchestras of the world, she has embraced popular music. She has collaborated with singer-songwriters and experimental composers. She is best known for mastery of Bach’s compositions and has championed classical music performances which allow infants to attend.

Hilary Hahn plays Bach

Sarah Chang

Born: December 10, 1980

Sarah Chang was born to South Korean immigrants Myoung-Jun and Min-Soo Chang in 1980. Both heavily involved in the classical music scene in Philadelphia, Sarah was surrounded from an early age by violin music. She was accepted into the Juilliard School by performing Bruch’s Violin Concerto No 1, at the startlingly young age of 5.

She recorded her first album at only 10 years old and in her teens was playing as many as 150 concerts each year. She has been ranked as one of the Top Eight High Achieving Females in the United States by Newsweek.

Vivaldi: The Four Seasons by Sarah Chang

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